“日無常日,無日如一,莫莫無日。
一年四季,一月三十天,一天二十四小時, 一小時六十分鐘,一分鐘六十秒,日日如日日。” 本地音樂家洪逸宇經過日復日在音樂工作和創作上的累積,感悟隨心的坦然,猶如日日,過著不無淡漠的日子,不過份追尋特別,才不至在享受前先卻了步。以“過日子”的概念策劃一場氛圍音樂表演。 演出初版於去年BOK Festival《非常一搏》單元登場,是次繼續伙拍日籍結他手Aki、鼓手Ivan,帶來充滿電影感如霧如詩般的音樂,帶人走進非常的日常。或如創作者所說 “異日又如一,我倦了一一去記住,我只是我。 我過了一 天,很特別的天,那裡甚麼都沒有。” |
‘No day is typical, not a day is the same, there is no day as usual.
Four seasons in a year, 30 days in a month, 24 hours in a day. 60 minutes in an hour, 60 seconds in a minute. Each day is like the other day.’ In his long engagement in music, local musician Iat U Hong realises that the enjoyment of life comes from the mind-set of taking things as they come, but not forcibly pursuing something unique. The concert is based on the concept of ‘live an ordinary life’. The initial performance was featured in the Give it a Shot programme of the previous BOK Festival. This year, Hong continues to work with Japanese guitarist Aki and drummer Ivan to play music with a misty and poetic aura, which is evocative of cinematic imagery, inviting the audience to examine the ordinary. As per Hong, ‘Each day is like the other day. I’m tired of remembering the details. I’m just who I am. I spent a day, a special day, a day of nothingness.’ |
洪逸宇 畢業於中央音樂學院。以表演方式在本地傳播音樂,在不同空間舉辦音樂分享會,不刻意區分類別,用提琴具備的條件去創作。 創辦音工工作,從既有音樂模式中尋找可能性,不受限的合作,通過不同的合奏方式來表現古典器樂的多樣性,探求音樂藝術融合本地生活的新形式。 工作範圍從創作及演出古典、流行音樂會,以至劇場、舞台劇等。2013年加入“墓所事事”在本地首演及世界各地的巡演。2014年同“自由探戈樂團”出演《上海世界音樂季》《太湖迷笛音樂節》。不定期在咖啡室、書店等舉辦音樂活動。
福島章嗣 來自日本福岡,現定居於澳門。自小受母親影響學習鋼琴,同時亦擅長結他、低音結他及鼓。現以演奏電子音樂、現代古典音樂、創作舞台劇音樂、映像音樂等個人音樂發展。2017年,在澳門音樂廠牌4daz-le Records出版了首張個人唱片《Monologue EP》,當中收錄了6首作品。此外,亦於2017年起於馬來西亞音樂廠牌mü-nest出版了多首音樂作品。2020年,為韓國音樂人Dae Kim一曲“Ethereal Cosmos”(虛無宇宙)製作的Remix混音版本,被選用作台灣“金馬影展”的預告片配樂。 Ivan Wing 在澳門從事鼓手十年以上,曾於澳門、香港及內地參與不同的音樂及藝術節演出。 |
Iat U Hong Graduate of the Central Conservatory of Music. Hong aims to promote music through performances and organising concerts across various platforms, regardless of genres, and creates music by employing different features of string instruments. He founded the Worktone to explore new possibilities within the existing music models, reflect the diversity of classical music instruments through ensembles, survey new modes to bring together arts & music and our daily life. He also creates and performs at classical and pop music concerts, theatres and musicals. In 2013, he joined the local premiere and world tour of theatrical work Picnic in the Cemetery. In 2014, he performed at two music festivals in the Chinese mainland. He organises musical activities at different venues from time to time.
Akitsugu Fukushima (aka Aki) Aki comes from Fukuoka, Japan and is now based in Macao. Under the influence of his mother, he started learning piano at a young age, and is good at guitar, bass guitar and drums. He is working in diverse scopes of music, including electronic, contemporary classics, theatrical, video, etc. In 2017, he released his debut solo work, Monologue EP (4daz-le record, Macau), which contains six tracks; he has been releasing various pieces of work with the Kuala Lumpur-based indie music label mü-nest. In 2020, his remix for Korean musician Dae Kim’s Ethereal Cosmos was chosen as the scores of the Taipei Golden Horse Film Festival’s trailer. Ivan Souza de Wing Drummer based in Macau with 10 years of experience, he has participated in various music/art festivals in China, Hong Kong and Macao. |